Sunday, September 13, 2015

Why you should hire a dressmaker (To be followed by... Why should NOT hire a dressmaker)

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Previous Post: Fall Artisanal Speakeasy

Certainly, there  are some great reasons to hire a dressmaker or custom sewing professional to create the project you envision. Having something made can truly be a special way to have a one-of-a-kind item created to your specifications, and in your choice of color, fit, and size.  I made the dress below for a fun client who was a bridesmaid for a wedding in Bali. The bride sent each of the maids a length of this bold fabric to use in any way they chose. My client was thrilled with it, and I sewed and draped this dress in a creative weekend frenzy that seriously was a creative risk, but lots of fun.




So, here are some reasons you SHOULD hire a dressmaker.


#1


"You have enough time..."


I fully acknowledge that you will not know what "enough" time is until you have discussed what you need with your dressmaker.  The dress above is not an example of "enough" time.  We were lucky. She and I were both satisfied with the result. Sure, some dressmakers will work like demons and pull all-nighters to get your garment made, but some need to work at a more peaceful pace to achieve a quality result.  This also depends on how much other work the dressmaker currently has in his/her schedule. If you are really trying to get a last-minute project made, recognize that some shortcuts may need to be taken.  Then again, you may find someone who loves to work under pressure! Either way, working too fast is a bit of a gamble for you both.


Crooked?  Not precise? Yes. Manufacturing allows a level of precision the human hand can only approximate. Good dressmakers do it better, and more consistently, but really, if you need a magnifying glass to show any errant stitches or wobbles, you are probably evaluating too closely.



#2


"You trust, know, and appreciate the talent/skill/expertise of the person you hire"

Let's face it: Contracting an unknown person to create the item you have in mind is a bit of a risk on your part... and the dressmaker's, too!  Ask to see photos, samples of past work if possible, get a feel for the personality type you are working with, and give a clear idea of what you are expecting BEFORE the project begins.  Whether you want standard, home-sewn quality, or haute-couture Dior or Marchesa quality work, or something in-between, recognize that skill, time frame, and price are all still factors affecting whether or not that is even a possibility.  Might you find an incredibly talented, underpriced person?  Of course?  You can also find just the opposite. Be sure to articulate why you want something custom made, and define what quality level you expect, because it will help you both to determine whether or not you are a match.

Open communication should help clarify and expectations as the project progresses, but every project comes with risks.  A client can hate something a dressmaker loves, or love something the dressmaker is not happy with. Sorry, but that's just plain true.  Love their work?  Confident that his/her skills meet your needs?  Go for it! 


#3

"Your due date is earlier than your wear/use date"

While many amazing feats of sewing can be achieved, sewing against the clock is not recommended. By EARLIER than the wear date, I mean enough time for you to try on/see and approve the item, with time (To make this work, BOTH of you must have appropriate availability) to make any changes or fix anything that requires fixing before the item needs to be worn or used. Ideally, two weeks to spare is great... but I know people have a tough time planning. Do yourself a favor and try to alleviate the stress by adding in a healthy time buffer.


#4

Can you make a "baby prisoner" outfit?

You know and can articulate what you want.

Words like "elegant", "flowy", "corseted", and "sturdy" can be communicated and generally understood by any creative professional, but more artistic words can be a matter of interpretation.  Sketches and photographs can work well as inspiration, but, frankly, it is all theoretical until actual fabric is chosen and design work begins. What does this mean?  It means that a project's path to success and/or ultimate failure can actually be influenced by things that were NOT said. It is tempting to lean back, arms crossed, and say "You're the expert", but keep in mind, the expertise is on the making, not the idea.  Because the idea is your OWN.  After all, that's why you are hiring a dressmaker, correct?


#5
Where do you find these? Did you know you could buy them?
You have/can get the right materials

This is important.  A garment doesn't exist if the supplies to make it don't exist.  Creativity is wonderful, but unless you either already have the supplies, or your dressmaker knows where to go/where to send or take you to get the fabrics you need, you'll have to fit the project to the fabrics available. Shop the Garment District maps can certainly help you with that, but make sure you know your budget, notions and yardage requirements before shopping.

Looking for a dressmaker?  Try www.findadressmaker.com or www.sewingprofessionals.org


Look for the next post, entitled "Why You Should Not Hire a Dressmaker" (will post September 15) to get a handle on some of the issues that can ruin the process...

Tuesday, September 1, 2015

Fall Artisanal Speakeasy 2.0! (Another 2-day exploration!)

*Reposting*

Following the success of the Spring Speakeasy, and using its success to create the next one, I am very anxious to do another version of this tour, and implement some improvements for my next group.

I also know what aspects not to mess with:

Gotta have good food with comfortable seating!
Gotta have reasonably good weather!
Gotta have really compelling and unusual meetings with experts!
Gotta have access to exciting goods in exciting stores!

Here's the description for the Fall Event:

This will be a special Speakeasy, where participants will get to see creative workshops and technicians in the garment district who make magical things happen to fabric.  Through surveys, conversations, consultations, and experiences, I will curate a truly exciting combination of experiences and learning opportunities for a unique group of Speakeasy participants.

Like the last one, this tour is a "go" no matter how few attend, since I know some of you are "in" already (because you needed to cancel/postpone or reschedule the last one).  While I doubt this will be a problem, space is limited, though.  While I would like to invite the whole wide world, more than 20 people would make this unmanageable. 

This will be a 2-day event. The dates will be October 2nd and 3rd, 2015.   This type of adventure is as "Speakeasy" as it gets... so don't expect to get too many details here...

To reserve your space, a $50 deposit (refundable if cancelled no later than 30 days before the event) will be required. 

Balance payment will be due by September 3, 2015.  

The cost of this Speakeasy is $250.  

This includes our events, and lunches for the group on both days (with consideration for any special dietary needs/restrictions addressed in advance). I am holding the funds in a special account specifically designated for tour expenses, which I will incur as the date draws nearer, so please do not make full payment unless your plans are set to participate.  The deposit reserves your spot.

Who will want to participate in this Speakeasy?


  • Someone who is a creative sewer
  • Someone who is a creative designer/small manufacturer
  • Someone who loves to learn, loves history, appreciates fine skill
  • Someone who loves stories and creative adventures
  • Someone who enjoys both old and new


*If you are someone who has spoken with me at length about this, and know you are already committed, feel free to submit a deposit to reserve your space, or submit full payment if so inclined.  In the event of my illness or unforeseen calamity, the tour will still take place with a replacement guide(s).

I know some of you will call, email or text me with questions.  I'll answer many of them, but, I assure you, I'm being secretive ON PURPOSE.  There are some HUGE surprises on this one!

Wanna come?

Payment options



Wednesday, August 26, 2015

Starting here... (The gasp) and a Teen Perspective

No, it's not September yet... but you know I can't shut up, so...


Whoops - updating (5:13 PM) I buried the lead!

My daughter did this self-portrait last week.  Yes, she's still 13. No, I'm not kidding...

On creativity:

Sometimes, I think about just how many colors there are in the world, and how awesome the whole spectrum is, and I can't just choose one favorite, so, sometimes I just flip to a new favorite...

-My son, age 10

I posted about this fabric some time ago, when my kids initially fell in love with it.



Then it found a dance partner...


Leftover peach-skin screamin' green lining from a client project some months ago.

Then it became...

Something my daughter greeted with a gasp, when she saw it on the dress form.

A new shirt for her journey to high school.



The journey to this one is particularly hard to articulate.  In New York City right now, there seems to be a movement afoot... if not an anti-movement, really.  With no particular allegiance to any unique color palette, any particular brand, musical style, celebrity, or social cause.  It is a celebration of the individual, listening to his/her own drummer, and adding a spark to the mosaic of New York City.  I'm seeing it everywhere. Dip your toes in the feeling of Afropunk (click the link), to get an idea.  If this is a burgeoning style movement, my kids are natural members. And it's not a Black thing.  It's an everybody thing. See this slideshow to get an idea...

This is something that starts right here.  Today. Not influenced by anyone else in particular- just a feeling in the air.  No one else's idea.

It was a long time in the making. A shirt for my daughter that sat around as four rectangles. For a long time.

The shirt. Note: Shown here on a misses dress form, which has a lower bust than she does (explains the high dart).
Fabric source: Fabrics World USA and a secret store near me (green fabric), that has a truly hit-or-miss inventory.


Pattern: self-drafted/draped, but the shape of the sleeves was inspired by this.



And then she danced in it!


Wednesday, August 12, 2015

Taking a break... (an August breather)

It's a beautiful day outside.  Why don't you go out and play?
-My mother 

I'm taking a break until September.  I may comment or post sporadically before then, but don't count on it!  You may still purchase maps and book Speakeasies, if so inclined.  Any related questions will be answered.

Friday, August 7, 2015

Things to inspire... things to share...

To inspire:



I think this movie may be a game-changer for the public interest in dressmaking.  Remember "Titanic" and the garment fantasies it inspired?  This movie, which gives 40 year-old Kate Winslet a 25 year-old love interest (Hemsworth) may do the trick.  No official US release date yet... but we'll be waiting!

And when you see it, I suggest you dress for the occasion! The description alone will kill ya...


In the 1950s, Myrtle "Tilly" Dunnage returns to her hometown, an Australian country town named Dungatar, to take care of her ill mother, Molly, from which she was sent away at the age of ten because of false accusations of murder. Tilly, an expert dressmaker trained by Madeleine Vionnet in Paris, transforms the locals with her couture creations and in the process, exacts revenge on the people who wrongly accused her of murder all those years ago.

Who can help you get the dreamy fabrics and tools this film will inspire you to use? Well, in the garment district, there are many, but the best of the best map will guide you in the right direction.


Also to inspire:

Here's a great article on dressing your body... or anyone else's for that matter.  It will inspire you, and make you feel the value of your work as a garment professional, hobbyist, or artist, wherever that lands you!


To share:

Now, food for thought... what kinds of things can become fabrics?  Should they be making fabric using discarded animal parts?  Hmmmm... If not, why not?  Talk amongst yourselves, people.

A quote from the article linked above:
...one kilogram of gelatin can yield one kilogram of wool. That 1:1 trash-to-apparel ratio puts the process on par with a Nike project that converts plastic bottles into a polyester thread used for soccer uniforms. Unlike Nike, though, Stark and his team will need to find a manufacturing partner who can help develop infrastructure to produce the new fibers at scale. Because the foodstuff is derived from animal by-products, and gets made in bulk, it’s a more cost-efficient material than the merino sheared from sheep one at a time. At present, though, the European companies who manufacture gelatin do so only for niche products like gel capsules and Jell-O.

Also to share:

Are you looking for sewing classes in New York City?  Here's a site with a list of options...


Now, take a deep breath, have a good stretch, and do something meaningful.  See you later!

Saturday, August 1, 2015

Something To Do Now - Frida Kahlo exhibit at the New York Botanical Gardens



This week, I attended the Frida Kahlo exhibit at the New York Botanical Gardens, where her artwork is beautifully displayed on the walls of the buildings surrounding the lush gardens.

Among her sketches, paintings, and other artistic explorations, there was some mention and artwork related to her clothing.  As a person afflicted with spina bifida, and a traumatic injury, she needed special clothing and equipment to navigate her artistic world, and sought every opportunity to express herself artistically through her garments.  The exhibit doesn't focus much on these, but the spirit of her fashion sense is definitely there in her self-portraits.

The phrase, "Bloom where you're planted" comes to mind...

I highly recommend this article from NPR on the subject of sewing for differently enabled, and the link to the story below: