Showing posts with label garment district history. Show all posts
Showing posts with label garment district history. Show all posts

Tuesday, July 9, 2019

As yet untitled... (and "Death By Pastrami")

Originally published 6/22/15

*Make sure you read the comments on this post, too.  The comments really expand this post, and really give great additional food for thought! (Originally posted in 2013, I have realized that posts have their moments of popularity, and my stats tell me that this is a post that is igniting a spark right now.) Visit this blog post for more recent thoughts on the same topic!

"I find it interesting that you call your blog 'Shop the Garment District', considering..." he said, tapping the glass table deliberately, "that the Garment District no longer exists."

Leonard Bernstein, author of a collection of short stories featured in an earlier post, was ready to school me on the garment district.  And I was an eager student. I initially wanted to meet him because of his fiction writing, and his unique garment district stories. What I didn't know, was that I actually needed to meet him.  His knowledge of the Garment District is vast, valuable, and needs to be shared.

I met him in the office of his family business, Candlesticks Inc., where he has been at the helm since 1953.  Candlesticks is a well-established company, in business since 1928, selling to the biggest retail chain stores whose names we all know. In a glossy, formal, garment center building, his company produces childrens' pajamas and swimwear.  Leonard, a smartly dressed, happy man, ushered me over to the big glass table in the showroom, and promptly offered me a perfect cup of coffee. "This is a real Garment Center business." he announced.  He was right. There was no sign of the dingy, rough places I have seen and imagined.  This place was corporate and clean.  Efficient and quiet.

With a garment district family history that stretches back as far as his great-grandfather who owned a pushcart on Hester Street at the turn of the 20th century, and a grandfather who owned an apparel company with a factory in New York City, Leonard's unique perspective allows him to understand both where the district has been AND where it is going.  Better yet, his warm, open personality allows him to share this information with us.

And now?  His company produces lots and lots and LOTS of garments, overseas of course, and selling in the biggest retail chains we know.  Macy's, just across the street from his office, is among them.  Quickly, the conversation turned to the topic of apparel manufacturing. We're not talking about the hobbyist, or the little guy/gal who just wants to make a few items here.  We're talking about the businesses that help people buy houses , cars, build savings, and put their children through college.


Myth #1: Greedy capitalists won't produce in America, making it impossible for others to compete.

Here's the thing: Can you still buy supplies, manufacture, and sell goods you make in NYC's garment district?  "Yes, you can - if you do boutique-type stuff.  You can find a small shop to make 27 dresses, or some artistic handmade ties, and yes, you can sell them.  But... you wanna sell to Macy's Target, WalMart, Sears? Then, you've gotta go overseas." Leonard tells me.  "Why not produce it here?"  I ask. "Why not, you ask?  Where are the factories?" He elaborated on this point, explaining  that it's fine when you're just starting out, since at most, maybe some loft in Chinatown will produce the small lot you need, but, eventually you have to be competitive.  If you want to sell to the big stores, the factories in China, Bangladesh, and Cambodia can produce the quantities you need quickly, using workers who are paid $1/hr.  And guess what?  That's a living wage in those places!

Mythe #2: The foreign garment factory workers are being abused and exploited.


Bangladesh factory fire - locked exits - read here...

"We love to believe the story of the poor, abused foreign worker.  The children, the enslaved, the hungry and lame. Making pennies an hour."  The fact is, he goes on to explain, if you tell a factory manager near Shanghai that you hear many of these factories hire or enslave children, he will tell you that he has a MILE LONG line of able-bodied, capable ADULTS who would be happy to work for $1 and hour, compared to the $.50/hr the hard physical labor alternatives offer.  Working in state-of-the-art, efficient factories for a good wage. He has a WAITING LIST of eager adult workers. "Why would I hire a child?"

My brain is spinning now.  This is not what I expected to hear. What I'd been led to believe. "So, can't you use a 2nd class factory somewhere, and pay workers far less?" I asked.  "Well, you can..." Leonard explains, "But when you sell to a store like Macy's, they will only buy garments produced at approved factories, and you (the manufacturer) must have a certificate that states they are manufacturing your goods.  Without that certificate, the big stores won't talk to you."  The big stores send inspectors to those factories, both announced, and undercover, to see how things are being produced, and to check that procedures are being followed.  Without the kind of sales a store like Macy's, Target, or Sears can do, how would you sell the goods?

"But, I've been to stores like Conway," I protest, "and their prices are sometimes lower than I can even buy the fabric to make it myself.  Where is that stuff from?"  (I've always been SURE it was some sort of near-slavery work in a third-world country.) "The stuff you see in those stores are closeouts." Leonard tells me. "These things need to be sold for anything they can get.  Those are just goods they need to move."

We want to believe that the Asian factories have "grabbed" the apparel manufacturing, but we (USA) are a privileged, advanced, over-comsuming country. We open our drawers and closets to find dozens and dozen of garments - more than we need or even want.

So, it comes to this.  What should we have done differently/ What is our future?

"Well, " he confides, "You know those huge campaigns... Look for the Union Label, Buy America, etc...?  Well, they all failed.  Every one of them."

A decade ago, Leonard ran a factory in Pennsylvania, with 350 workers.  "You know what? Far more foreign cars in the parking lot than American ones.  The employees wore affordable clothes made in other countries - and these were American factory workers! The salesmen had to hide the fact that the clothes were made in America just to get appointments, and avoid getting laughed at!  Our wholesale prices weren't competitive."

He goes on to explain that he can make a sample garment, photograph and email it to the Shanghai factory at 10AM, and by 11AM, the factory can give him delivery and price. AND the fabric is already available there, where the factories are!

So... the future?

This was a much longer conversation, not easily summarized in a blog post... but a rising tide lifts all boats, you know.  In time, workers who make $1/hr now will be wanting to earn $1.25 at the new factory down the road.  Wages will rise, and labor will become more expensive for the manufacturers.  It will be at least 30 years before their wages are competitive with our own, though.  So, we move on to other countries.  Bangladesh, Cambodia... all they need are more factories to be competitive.  After that?  Africa can't be far behind.  There are workers in Africa who will gladly earn $.50/hr - and yes, still a living wage.


Rising labor costs in factories force manufacturers to look elsewhere... follow link


We can impose tariffs, for sure... but don't we want other countries to buy our goods? Due to advances in technology, we are more connected than ever.  This has made the other side of the planet as accessible as the office next door.  No one is to blame for this. We can grow exponentially, or we can change, OR can simply stop consuming.

The fact is, the world is constantly changing.

"Okay, so what should we have done differently?" I ask.

"Nothing." Leonard replies.  I believe him when he says that. This guy is no slouch, I tell ya.  Early in  our conversation, I asked him why he wrote fiction, before I had any idea what other pearls of wisdom he had to offer.  "I love to write, so I wrote." Simple as that.  And, by the way, "Death By Pastrami" is his 6th book!

(note: added 1/3/15) And he has since written a new one!

Thursday, July 6, 2017

Tuesday, March 21, 2017

Writing (which is what a writer should do)

The boot-strappy resilience and tenacity of this man is wonderful.  See my earlier post on my meeting with him, where we discuss the future, past and present "garment center" and his work, in particular.




Saturday, May 14, 2016

Led a Speakeasy yesterday! (Spoiler alert... the teacher became the student)


I often lead private Speakeasies for groups when requested, and I must say, this particular private Speakeasy was an unusual one.  

A few weeks ago, a university professor contacted me to schedule a tour of the garment district for her group of business students, as part of a larger New York City exploration during a week's stay in our bustling metropolis. That day was yesterday. Very excited for this experience, I planned an excursion for the students to give them a taste of the layers of the district, rather than the shopping trips I usually lead.  And I'm so glad I did it. On this particular jaunt, I probably learned much, much, much more, and (quite accidentally) got more education out of this effort than the kids did...

Why?  
560 7th Ave - Parsons School of Design - now gone...
This trip made me clean my garment district glasses, so to speak.


560 7th Ave now - future site of a luxury hotel

I began my talk with them, thinking I needed to squash the idea I suspected the students are likely carrying - that the garment industry is a glamorous one, where dreams and diamonds await all who can dream up a perfect little garment...

At the intro of our tour, I referenced the documentary, The True Cost, explaining that the places I was about to show them would give a lovely idea of all of the business endeavors they could participate in, while letting them know that there is also a hidden layer that they would not see on our excursion, full of underpaid immigrants, unpaid interns, and very hardworking people laboring to keep this fashion illusion going in New York City.  I told them that the image of fashion industry success is often portrayed as local, when it in fact, global. I also explained that, truth be told, they they would probably not be willing to pay what truly ethically made clothing would cost.






This information didn't seem to really surprise them.  And THAT... surprised me. I had clearly underestimated them.

West 40th Street now has only ONE fabric store...

I pointed at offices with "for rent" signs, I indicated places which have vanished or downsized, and I was surprised to see that some of my more recent haunts had vanished, too, and showed them how some local merchants were responding to consumers' global awareness by offering eco-friendly and sustainable fabrics.

I was surprised to see troublingly light business in the places I expected to see more activity, businesses not open during posted business hours, signs of stress and decline a bit more intense than I'm used to.

I explained some of the economic challenges of running a fashion business, explaining the predatory loansharking that the practice of "factoring" brings, the intense retail schedule and delivery challenges, the exploitation of workers and businesses in the process, and the drama of it all...

At the end of our short trip, I felt prepared to eulogize my beloved district, feeling that I might be overly nostalgic for the district of my youth, which is very different than the district of today.

I encouraged the students, wished them well, told them some other fun NY activities they should seek out and explore, and bid them goodbye.

And then... I thought about it...

I wandered around a bit to shake off my malaise, went into some of my favorite spots, found some fabulous things, got my creative "buzz" going, and shook it off!

The "secret" district I am always telling you about? The district of mazes, hallways, hidden stores and undiscovered gems is still there!!!  You may simply have to take an elevator, climb a staircase, know the lingo, get a map, make a plan, but you can participate!  

So, really, do we need the "OLD" district?  Would that even make sense now? The new one has plenty to offer.  Yes, we can all embrace it. Put away your tissues. Come and enjoy!



Thursday, August 21, 2014

Garment District History (and my own heartbeat)

The Garment District in NYC is a place that makes me want to look around and sigh...  I love the old stories, the connections, and the history. I really have an insatiable love for what goes on here, and the way that the various businesses support, nurture, and inspire one another. 



 The importance of proximity, and how it fuels creativity is so important and well expressed in this video (above).

If you appreciate the history and personal connections as much as I do, I invite you to read the posts linked below, about businesses who have honed their craft over time, and really know their stuff!

Fabric flowers for embellishments (think Sarah Jessica Parker), accessories (think Chanel) and home decor. 

A beautiful pleating company, with a history and commitment level that will truly astound you.

A pajama manufacturer, whose story and insight on the current state of garment production will get your wheels turning.


Wednesday, September 11, 2013

The garment district speakeasy culture and the waterfall dress...

*Store names in this post are omitted to "protect the innocent".

I often make light of the Garment District's "speakeasy culture" - the secret sources for fabrics, services and notions, whispered among vendors and creatives,  as if you were avoiding government spies...

While the secrecy may seem to be a bit of an exaggerated effort, the garment district is fraught with challenges, obstacles, and extremely well-equipped foreign competition, doing things faster and more efficiently elsewhere.  The Garment District's  history is echoed in the sidewalks, monuments, and publications that dot its landscape.

Nowadays, while it is not exactly a "Speakeasy" culture, as much as a tightly constructed web of interdependent businesses, grown and nurtured over several generations.


It was just this culture that would have prevented the creation of the "waterfall" dress I am creating for a client, which requires a careful transition of a blue/grey/silvery cascade to communicate the soft, elegant flow my client is seeking.

We all know that shopping at ground level in the garment district, and going to all the stores we know, can give us a wealth of options.  But let's say you want to get REALLY specific, and you really need the right colors to make it work.


Shopping in very well-known stores, I just couldn't get everything I needed (texturally and the right levels of sheer and opaque) in one store.  While the stores are as helpful as they can be, they don't suggest going to the stores you would never even know exist, without doing your own research/legwork.

I do understand the dilemma.  No single store can carry everything you want, and the wholesalers who  also sell retail know the big retailers "don't like it" when the wholesalers sell directly to the retail customers, removing the middleman from the deal.  I get it.  But without knowing some of these other businesses exist, this may have been a cancelled project, meaning that none of this fabric would have been bought at all. Not from EITHER source. The lovely wholesale showroom from whom I purchased two of the fabrics above (at half the price the retailer would have charged, BTW) whispered, "Our retailers aren't too happy about this.", and I quickly retorted, "But they also don't have this, which is why I'm here."

My point is this.  Everything is partnership. A rising tide lifts all boats, and I sincerely believe that a person who would never make curtains might change her/his mind, if they only knew grommets would be professionally installed for them, covered buttons made, get pleating done without needing to do the math yourself... we are all interdependent. A point that John Travolta attempts to make in one of my favorite movies (at about 1:15 - the Aspen trees comment) couldn't say it better.  It is this way of thinking that inspires me to lead the shopping tours I run.  Come along, and see for yourself!





Friday, April 19, 2013

Fact or fiction?

A little of both... it seems!

Serendipitously, I heard about this book, which is a collection of short stories inspired by one man's life and experience (read a related WWD article by clicking through the link) working in New York City's garment district.

Curious to see what this short story collection might actually be, I read the first chapter on my Kindle, and was pulled in immediately...



"The best part is, not only does Leonard have an incredible wealth of decades worth of experience, but he's entertaining and genuine. " said his publisher.  So, with their permission, I called him up.

And... the story gets even better.  I had the pleasure of meeting him yesterday, and the information he shared with me was MIND-BLOWING.

I will tell you more shortly...

Tuesday, April 26, 2011

Finding Bits of NYC's Past in the Garment District

Hecht Sewing Machine & Motor Co., 304 W. 38th Street, NY.

I love finding little glimpses into New York City's past: the wooden escalators at Macy's, our glorious main post office at Eighth and W. 33rd (technically not in the Garment District but close enough), and Hecht Sewing Machine & Motor Co. on W. 38th Street. I stuck my head in this emporium the other day and could have easily killed a few hours poking around the antiques here, many of which are related to the sewing industry. Unfortunately this lovely store is not open for retail traffic, but I don't think owner Steven Hecht minds the occasional visits from home sewists who just want to ogle items from their hobby's past.

See more photos and read more in-depth articles about Hecht here and here.

Don't you just love this vintage wooden display case filled with sewing machine feet?

Hecht regularly supplies props to the Smithsonian and the TV and film industry.

Sunday, March 20, 2011

What to Watch: HBO's "Triangle: Remembering the Fire"


Clear your schedules: Tomorrow (3/21) HBO Documentary Films presents TRIANGLE: REMEMBERING THE FIRE exclusively on HBO at 9:00 p.m ET/8:00C. The premiere marks the 100th anniversary of the Triangle Shirt Waist Factory Fire that began the modern labor movement. I'm putting aside my usual evening sewing so I can give this documentary my full attention...how about you?

Thursday, March 17, 2011

A Bit O' Garment District History

Oy. St. Patrick's Day in NYC.

Want to know something I have in common—today in particular—with early 20th-century Manhattan ladies?  We both hate to be caught on the streets of midtown New York City at lunchtime. Today the sidewalks are packed with teenagers and young adults dressed in green, in town for the St. Patrick's Day parade and looking for action. It's a zoo, I tell ya. In 1911, Fifth Avenue sidewalks—and side streets—at noon would have been crowded with garment factory workers, all men, on their lunch breaks. 

In fact, the congestion was actually far worse 100 years ago than it even is today on St. Patrick's Day. I learned this last night at a very informative lecture I went to with Carolyn at the Museum of the City of New York. Andrew Dolkart, Director of the Historic Preservation Program at Columbia University's Graduate School of Architecture, Planning and Preservation, historian of the Garment District, spoke about how the crowds of garment workers at lunchtime kept the rich women away from the fancy department stores located on lower Fifth Avenue. You see, the garment factories were all originally located close to the Fifth Avenue department stores, making it easier to deliver clothing to the merchants. The department store owners, faced with losing wealthy patrons, banded with other power brokers of the time to convince the garment manufacturers to move their factories, which they actually willingly did.

And that's how the garment district ended up located where it is today. How's that for a bit of trivia?

Happy St. Patrick's Day! Here's hoping I make it home on the train without getting thrown up on by a drunken teenager.

Tuesday, March 15, 2011

"The Fabric of the Garment District"


Wednesday, March 16, 6:30 p.m.
Museum of the City of New York, 1220 Fifth Ave, at 103rd St. 


"The Fabric of the Garment District"
The history of New York’s garment industry is as much a history of the built environment as it is a history of labor, regulation, and fashion. From the piecework of Lower East Side tenements to early purpose-built lofts such as the Asch Building, home of the Triangle Waist Company, to the first garment district on the streets flanking Broadway, north and south of 23rd street, and finally to the Seventh Avenue garment district that New Yorkers know today, the garment industry has produced and been a product of its unique and changing built environment.

Spectacular events like the Triangle factory fire played an important role in this industrial geography.  How did this and other factors lead to the creation of the Garment District?  Why were garment lofts built where they were? How did this affect workers, manufacturers, and consumers?  What is the legacy of the garment district today?

Andrew Dolkart, Director of the Historic Preservation Program at Columbia University's Graduate School of Architecture, Planning and Preservation, historian of the Garment District, discusses the changing history and geography of the garment industry 100 years after the tragic Triangle factory fire.

Co-sponsored by the Municipal Art Society of New York.

Reservations required: 917-492-3395 or programs@mcny.org
$6 Museum members; $8 seniors and students; $12 non-members;
$6 each when you mention "Shop the Garment District"